Mamiya RB67
Mamiya · Mamiya RB67 mount · 6×7cm on 120 film (56×68.4mm on the Pro-S holder, 56×69.5mm on the Pro-SD holder), revolving back; 220, 6×4.5, 6×8 (Pro-SD only), 70mm, Polaroid pack and sheet film via other holders · 1970
single source, unconfirmedAlso known as: Mamiya RB67 · Mamiya RB-67 · RB67 · RB-67 · RB67 Pro · RB67 Pro S · RB67 Pro-S · RB67 Pro SD · RB67 Pro-SD · Pro-SD · Mamiya RB67 Professional · Mamiya RB67 Professional S · Mamiya RB67 Professional SD · マミヤ RB67 · マミヤ RB67 プロS · マミヤ RB67 プロSD · 6x7 · 6×7
Variants & identification
| Variant | Mount | Years | Serial ranges | Production |
|---|---|---|---|---|
| RB67 Professional | Mamiya RB67 | 1970–1974 | — | — |
| RB67 Pro-S | Mamiya RB67 | 1974–1990 | — | — |
| RB67 Pro-SD | Mamiya RB67 | 1990–2010 | — | — |
- Family weight is the Pro-S body with revolving adapter and hood (1450g); the Pro-SD manual splits it as body 1050g, adapter 200g, finder 185g. Whole-outfit figures (2690g with 127mm and holder) are what Wikipedia prints.
- Years.last of 2010 is English Wikipedia's production span; no consulted source dates the end of Pro-S production more precisely than the Pro-SD's launch.
- Negative sizes differ between the manuals: 56×68.4mm (Pro-S holder) and 56×69.5mm (Pro-SD holder).
- The GL (1981) and Pro-SD Gold (1990) editions of 300 each rest on Japanese Wikipedia alone.
How to tell them apart
- Bellows focusing with a large knob on each side and a rack-and-pinion 46mm extension; no helicoid on the lenses
- Revolving back: the holder turns 90° on the body for vertical or horizontal format
- Breech-lock bayonet ring on the lens; leaf shutter with the speed ring on the lens barrel
- No battery anywhere; an RZ67 has a battery chamber and an electronic speed dial on the body
- Suffix on the nameplate: none, S or SD
RB67 Professional:
- Nameplate reads RB67 PROFESSIONAL with no S or SD suffix
- No format index in the finder interlocked to the revolving back, no focusing-knob lock and no double-exposure interlock on the holder (Photrio thread; photoethnography)
- Waist-level hood is not the one-touch self-erecting type introduced with the Pro-S (Japanese Wikipedia)
RB67 Pro-S:
- Nameplate reads RB67 PROFESSIONAL S; the revolving adapter is marked for the Pro-S
- Horizontal-format index lines in the finder that swing in as the back is turned, driven by the revolving adapter (Pro-S manual)
- Focusing-knob lock and a single-action self-erecting focusing hood with a double lock (Pro-S manual)
- Pro-S 120 roll film holder with the automatic double-exposure prevention interlock, a dark-slide lock and a memo clip (Pro-S manual)
- Professional GL of October 1981: gold-coloured metal parts and lizard covering, 300 sets with a 127mm f/3.8 GL lens and GL holder (Japanese Wikipedia; camera-wiki)
RB67 Pro-SD:
- Nameplate reads RB67 PROFESSIONAL SD
- Lens throat enlarged from 54mm to 61mm, the same as the RZ67, so the KL 75mm shift and 500mm APO mount (Pro-SD manual; Photrio thread)
- Body back built for the 6×8 power-drive magazine (Pro-SD manual)
- Pro-SD 120 roll film holder with a dark-slide storing lug and memo clip; waist-level finder magnifier 3× against the Pro-S's 2.5× (Pro-SD and Pro-S manuals)
- Pro-SD Gold of 1990: 300 sets (Japanese Wikipedia)
- RB67 Professional: The original body, the first 6×7 SLR with a revolving back. The 54mm throat takes the Sekor, Sekor NB and Sekor C lenses; the KL 500mm APO and the 75mm shift, which need the 61mm throat, do not fit (Photrio thread). Later RB holders attach through the G-lock revolving adapter, and the Pro-S holder's double-exposure interlock only works with a Pro-S or Pro-SD body mechanism (Pro-S manual).
- RB67 Pro-S: The long-selling version. The Pro-S added the format index interlocked to the revolving adapter, the focusing-knob lock, the one-touch hood and, on the new Pro-S roll film holder, an interlock that stops the shutter releasing on an exposed frame and stops the film winding on an unexposed one, with a multiple-exposure lever to override it. The manual gives the body with revolving adapter and hood at 1450g, the Pro-S holder 450g, the 90mm f/3.8 805g and the 127mm f/3.8 750g; body with holder 104 × 144 × 228mm with the 90mm. Shutter and mirror cock with one 75° stroke of the body lever. Emulsive's Scott McClarin has it sold to professionals for more than fifteen years.
- RB67 Pro-SD: Released September 1990 (Japanese Wikipedia). Body 1050g, revolving adapter 200g, waist-level finder 185g, Pro-SD holder 475g, KL 127mm f/3.5 L 780g, 2690g in all; body with holder 104 × 144 × 233mm with the 127mm (Pro-SD manual). Mamiya's later Legacy catalogue lists 120 and 220 holders in 6×7 and 6×4.5, 6×7 and 6×8 120/220 Power Drive magazines, a Polaroid Film Pack Holder and sheet-film holders for it. Otherwise the Pro-S and Pro-SD share holders, finders and the extension tubes, which Mamiya sold in SD-only and all-RB versions.
Serial-range notes
- Two-letter gold sticker
- Mamiya date codes are a small gold sticker on body or lens: first letter the year, second the month, A–J for 1961–70 and again 1971–80, A–T for 1981–2000. The code repeats each decade, so the model tells you which decade (Mamiya Repair).
Specifications
- Format
- 6×7cm on 120 film (56×68.4mm on the Pro-S holder, 56×69.5mm on the Pro-SD holder), revolving back; 220, 6×4.5, 6×8 (Pro-SD only), 70mm, Polaroid pack and sheet film via other holders · 10 on 120; 20 on 220 exposures
- Finder
- waist-level focusing hood, interchangeable; prism, PD prism, CdS, CdS prism, magnifying and sports finders available · 2.5× magnification
- Shutter
- none in body; Seiko #1 leaf shutter in each lens, cocked with the mirror by the body lever · 1s–1/400 and T (B on KL lenses) · flash sync all speeds; M and X on the Pro-S-era lenses, X only on KL lenses · no self-timer
- Film advance
- single-stroke lever on the film holder; body lever cocks shutter and mirror (75° on the Pro-S, 114° on the SD-era holders per the Legacy page); Power Drive magazines motorise it
- Back
- interchangeable revolving back, 120/220; G-lock holders on the revolving adapter, R-lock adapters for Polaroid and sheet film
- Meter
- none in body; the CdS finder, CdS prism finder and PD prism finder meter through the lens
- Motor drive
- 6×7 120/220 Power Drive Magazine, 6×8 120/220 Power Drive Magazine (Pro-SD) — Motorised film advance lives in the magazine, not the body; the shutter is still cocked by hand
- Weight
- 1450 g
- Dimensions
- 104 × 144 × 228 with 90mm f/3.8 and holder (Pro-S manual); weight_g is the Pro-S body with revolving adapter and focusing hood, no holder or lens mm
- Country
- Japan
- Accessories
- Pro-S 120 roll film holder; Pro-SD 120 and 220 roll film holders in 6×7 and 6×4.5; 120 and 220 roll film inserts for RB/SD · 6×7 120/220 Power Drive Magazine and 6×8 120/220 Power Drive Magazine (6×8 on the Pro-SD) · 70mm film holder; sheet film holders; Polaroid Film Pack Holder with 6×7 horizontal and vertical format masks · Waist-level focusing hood; Magnifying hood; PD magnifying hood; Prism Finder Model 2; PD Prism Finder; CdS finder; CdS prism finder; universal sports finder · Interchangeable focusing screens: matte, checker, microprism, rangefinder spot/microprism, cross-hair · Auto Extension Tubes No.1 (45mm) and No.2 (82mm), in SD-only and all-RB versions · L-grip holder; Bellows Lens Hood G-2; Gelatine Filter Holder Model 2; Quick-Shoe
Pro-S hood magnifier 2.5×, Pro-SD 3× with interchangeable diopters; interchangeable focusing screens, seven types on the Pro-SD (manuals). Finder shows 96% of the field on the Pro-SD.
Where sources disagree
- Last
- 2010 — English Wikipedia's production span for the series
- Early 2000s — photoethnography's end for the Pro-SD
Better supported: 2010
No factory date has been found for the end of Pro-SD production.
What reviewers say
- Scott McClarin, Emulsive (blog) — A love-hate relationship: around 8 lb on a tripod and demanding to operate, but the 6×7 negatives and proven lenses make poster-sized prints that outrun most digital systems, for the price of a workhorse.
- Robert J. Davie, Emulsive (blog) — A meditative camera that rewards deliberate shooting; the entirely manual operation and robust build are the appeal, at the cost of patience, a sturdy tripod and the weight.
- Ľubomír Drápal, 35mmc (blog) — Not a travel camera, at about 6 lb before the lenses, but he carried it through Iceland anyway and intends to keep doing so for the detail and the deliberate way it makes him compose.
- Pablo García, 35mmc (blog) — Close to the perfect camera in most respects, with a bright screen, bellows close focus and the rotating back, but large, heavy and awkward to hold, so his Hasselblad gets the regular use.
- Don Goodman-Wilson, 35mmc (blog) — A Pro-SD assembled from used parts in Seoul checked out with no servicing; well maintained they are excellent, heavy for long hand-held work, and the light seals want watching.
History
The RB67 is a 6×7 single-lens reflex built around two ideas that were new together in 1970: a film back that turns 90° on the body so the camera never has to be tipped on its side, and focusing by a bellows on the body rather than a helicoid on each lens. Rotating Back is what the RB stands for. The lenses carry their own Seiko #1 leaf shutters, 1s to 1/400 and T, with flash at every speed, and the body’s side lever cocks shutter and mirror in one stroke. Nothing in the camera needs a battery. It was made for the studio, and the reviewers who take it outdoors all say the same thing about the weight: the Pro-S manual gives the body with its revolving adapter and hood at 1450g, the holder 450g and the 90mm f/3.8 805g, and Wikipedia’s 2.69kg for the outfit is what you carry.
Three versions cover forty years. The original Professional ran 1970 to 1974. The Pro-S of 1974 added the format index lines in the finder that swing in as the back is turned, a lock on the focusing knob, a one-touch self-erecting hood and, on its new Pro-S roll film holder, an interlock that blocks the release on an exposed frame and the wind on an unexposed one; a lever on the holder overrides it for multiple exposures. Japanese Wikipedia calls the Pro-S the balanced masterpiece of the line, and it sold for sixteen years. The Pro-SD of September 1990 opened the lens throat from 54mm to 61mm, the same as the RZ67, so the KL 75mm shift and 500mm APO could mount, and built the body back for a 6×8 power-drive magazine; its holder gained a lug to store the dark slide, and the hood magnifier went from 2.5× to 3×. The Pro-SD manual splits the weight as body 1050g, adapter 200g, finder 185g, holder 475g and 127mm f/3.5 780g. English Wikipedia ends production in 2010.
Two limited editions rest on Japanese Wikipedia alone: the Professional GL of October 1981, 300 sets in gold-coloured metal and lizard covering with a 127mm f/3.8 GL lens and GL holder, and a Pro-SD Gold of 1990, also 300.
Identification is on the nameplate, which reads RB67 PROFESSIONAL, PROFESSIONAL S or PROFESSIONAL SD. Beyond that, a plain Pro has no focusing-knob lock and no double-exposure interlock; a Pro-SD has the wider throat, visible with the lens off, and takes the two big KL lenses. Everything else interchanges: holders attach through the G-lock revolving adapter on any body, all RB finders fit all three, and Mamiya sold the extension tubes in SD-only and all-RB versions. Date codes are a small gold sticker with two letters, year then month, and because the letters repeat every decade the model has to tell you which decade.
What to check when buying is what the reviewers report. The revolving back and the holders seal with foam, and Don Goodman-Wilson’s note that other users find sticky residue is the usual case for a reseal; the dark slide must be in before a holder will come off, and the Pro-S interlock will refuse to fire if the lower slide lock was left open, which is a feature and not a fault. Work the bellows to full extension for pinholes, cock the lens off the body only with the cocking pin in the right position (the manuals warn that the coupling can jam otherwise), and confirm the multiple-exposure lever returns. The Pro-S is the common one and the cheapest way into the system; the Pro-SD costs more only for the lenses that need it.
This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.
Photographs
Live listings
Asking price, USD: a median of $500 across 53 fixed-price listings on 2026-10-19 (middle half $440–$600). Tracked since 2026-09-19, 7 days: up 4% from $480.
By day
| Date | Median | Middle half | Listings |
|---|---|---|---|
| 2026-10-19 | $500 | $440–$600 | 53 |
| 2026-10-18 | $500 | $440–$600 | 53 |
| 2026-10-17 | $500 | $440–$600 | 53 |
| 2026-10-16 | $500 | $440–$570 | 52 |
| 2026-10-15 | $500 | $440–$560 | 56 |
| 2026-09-21 | $500 | $390–$630 | 57 |
| 2026-09-19 | $480 | $250–$600 | 76 |
Asking prices from the listings scanned, not sales; junk-flagged rows and auction lots excluded; other currencies are not converted.
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Listings updated 2026-10-19. Links go to the shop or marketplace that carries the item.
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